POST processing will showcase all sorts of innovative ways filmmakers have manipulated their images after capture. Manipulations span from Bill Morrison’s physical decaying of found footage to Naomi Uman’s use of nail polish remover to extract the females from old pornographic films to Isiah Medina’s unique usage of pacing and overlay.
PROGRAM
Space Invaders (2019) — Colectivo Los Ingrávidos
Body Contours (2017) — Kristin Reeves
MUÑE (2018) — Catalina Jordan Alvarez
idizwadidiz (2016) — Isiah Medina
I’ll Remember You as You Were, Not as What You’ll Become (2016) — Sky Hopinka
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All That You Can’t Leave Behind (2019) — Ufuoma Essi
Removed (1999) — Naomi Uman
THE WHOLE SHEBANG (1982/2019) — Ken/Flo/Nisi Jacobs
Light Is Calling (2004) — Bill Morrison
Screened at The Bridge Progressive Arts Initiative on February 27, 2020